![]() In effect, Broken Social Scene isn’t trying to re-invent the wheel here. A thread of continuity surfaces in the minutia of Kevin Drew’s familiarly whispered tempo count at the beginning of “Me and My Hand” as well as in the momentous Sam Prekop appearance in “Romance To The Grave” sounding as natural as if he has been there since day one. However, at its essence the album’s cohesive element is a spirit of detail and attitude that is both self-referencing and progressive. As much as Broken Social Scene’s identity is wrapped up in it’s concept as a collective, their most transcendent moments are not their speedy grandiose party anthems but are instead the small soft details like the band setting into a slow almost improvisational groove in “Sweetest Kill” or the hushed vocals of Emily Haines, Leslie Feist and Amy Millan singing in poignant unison on “Sentimental X’s.”įorgiveness Rock Record has already received criticism for trying to do too much, or trying to compact too many ideas from too many members, all into one record. Thanks to the production techniques of Sea and Cake/Tortoise drummer John McEntire, a realization of each songs greatness only comes as the layers of rugged instrumentation and complex subtlety are peeled back with repeat listens. When it comes to enjoying Broken Social Scene albums (especially Forgiveness Rock Record), cultivated familiarity is your best friend. As good as the new record is, it will take longtime fans a few spins to get acclimated. But when a band bolsters a solid history of success, it’s hard for devotees to resist the temptation to glorify the band’s “older stuff” and only indifferently accept the artist’s new music into the cannon-and can you blame them? Try remembering the way the stair-step bass melody of You Forgot It In People’s “Stars and Sons” climbs into a handclapping trance or how the funky palm-muted guitar licks in S/T opener “Our Faces Break The Coast In Half” give way to a celebratory horn section - such rich qualities easily foster a bittersweet nostalgia that further breeds “older stuff” glorification. Up to this point BSS’s revolving door policy would envelope talent and spawn projects from the likes of Stars, Metric, Apostle of Hustle, Leslie Feist and Do Make Say Think.Īfter all the rigmarole surrounding the release and subsequent supporting tour of the acclaimed S/T record the collective shuffled personnel and released two albums under the Broken Social Scene Presents banner, showcasing material spearheaded by Kevin Drew in 2007 and Brendan Canning in 2008.įorgiveness Rock Record appears as a re-assembling of the BSS diaspora and serves as a strong reminder of the band’s commitment and identity as an art collective. The band has been known for containing a constantly rotating number of famous members, and many of them were featured on their last LP, including Feist and Metric’s Emily Haines and James Shaw.What began as an ambient post-rock collaboration between founding members Brendan Canning and Kevin Drew (the band’s 2001 debut Feel Good Lost) would slowly evolve into the gorgeously fragmented super-collective sound nurtured in the mid-decade by the hectic overdriven production style of David Newfield on 2002’s Y ou Forgot It In People and 2005’s S/T. It followed up their 2010 release Forgiveness Rock Record. Hug of Thunder, BSS’ fifth album, was released last July. “‘Old Dead Young’ is our fist pump towards the constant struggle of getting it right and we want to spread that to as many people, as far and wide as possible.” “All things come to an end and this tour has been a wonderful experience for all of us, returning to what we know best,” the band said in a statement. ![]() They released the explosive track to mark the end of their tour. ![]() It was also previously available exclusively on the vinyl version of the album. “Old Dead Young” was written during the sessions for Hug of Thunder and features guest vocals from Feist. After wrapping their expansive touring in support of Hug of Thunder, Broken Social Scene is back with the new single “Old Dead Young.” Hug of Thunder was the veteran indie rock outfit’s first album in seven years. ![]()
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